Film of "Elizabeth" is description of inquiry to this skill, maturation of young woman to social function, which seemed beyond her range. In moment of beginning of tale Shekhar Kapur introduces spectators dwudziestolatkę, in which it wakes up femininity, and on which of careless games and flirtations shadow indecision of her of przyrodniej sister throws, zasiadającej on English throne. Maria did not have yet to put to death courages one's successor, Elisabeth hit wprawdzie even to Tower, but she saved life and she took over crown. First stage of her of royal education this wchodzenie into court ritual, adapting oneself to etiquette - initially bent to own aims, later consciously shapen on one from raw in of the time Europe. This choice of supporters stage second, and rather - permission on launch between potential supporters, which disclosed them of abilities, ambitions, loyalty and usefulness. Wreszcie stage third - connection into unity of majesty of queen of England with person of Elisabeth Tudor. Moment, when heroine of film founds marchewkową wig, face covers fat layer of powder and it dons white dress, stając oneself this myself model to most well-known portrait of queen of Elisabeth And, film finishes. Young trzpiotka grew onto political player of highest class.
Myself film is kind of game also. To be maybe Elisabeth was unsteady dziewczątkiem dreaming Leicestera depression about power, more about night in shoulders but surely this she - and not ; not her trustworthy courtiers - she took key decisions most. Process of gaining of political consciousness on screen looks malowniczo unusually, especially if personality, introduces queen as growing above one's epoch and even - through and through present form. First decade of her governments, though on screen it happens dark, difficult and bloody, it passed - in opinion of historians - enough calmly. Problems started later - both of nature political, as personal (matter Essexa, stepson Leicestera, it proves, that despite attachment to majesty she stayed longing to feel woman). About this yet film keep silent , similarly how about authoritarian way of holding of power whether court intrigues, in which she liked to participate. It keep silent also about her contributions in economic development and cultural country, as about this, that she did not wait for hitherto one's Szekspira.
She waited for however some about itself of films. Shekhar Kapur looked at it all unusually attentively. He convinced himself , that most suggestive as Elisabeth Bette Davis was in "Private life of Elisabeth and Essexa", meanwhile closest portrait of present woman Glenda Jackson in loud at a time serial BBC. Outlined of queen portrait in "Elizabeth" by Cate Blanchett is accident both this creation, though inconceivable, that to find outlines of heroine of film it were been possible "Queen of banditi", which turned attention of world onto Hindu director in him. And one's road interesting, that film about most English from queens firm Working Title produces, formative from years painting of independent American cinema, Hindu, and main parts directs - queen and Walsinghama - Australians play. Insurance whether will of stressing, that "Elisabeth was great queen" in eyes of whole world?
The action of film plays in England in year 1554. On throne Queen sits down Maria And (Kathy Burke), which bloody government brought to financial ruin country. On unstable royal manor until it swarms from conspiracies and intrigues. Only queen, not recognise one's Elisabeth's younger half sister's origin (Cate Blanchett), daughter Henryk VIII and Anne Boylen, it settles her in prison of Tower. Legitimate successor after Maria's death power hugs - princess Elisabeth. Young queen has to grow quickly, to forget about love to recurring with Robert's banishment Dudley'a (Joseph Fiennes) and to occupy oneself with matters of country. Her main adviser Sir William Cecil (Richard Attenborough) it suggests, to Duca for good of country married Frenchman d'Anjou (Vincent Cassel) or widower after Maria, Spanish Philip's King. Queen throws aside both candidates. Meanwhile French duchess Maria de Guise from rhodium Gwizjuszów (Fanny Ardant) real threat mobilizes on Scottish border armies, creating for England. Lonely queen is not safe on one's manor, where her enemies spend all the time. It undertakes risky decision the undertaking of fight, which finishes humiliating oneself with defeat. Crushed queen looks for at master of intrigues support and spyings Sir Francisa Walsinghama (Geoffrey Rush). This trustworthy adviser removes from queen's road nieprzechylną her Maria de Guise. Supported by strong Walsinghama, queen begins strengthening on manor one's position, removing enemies and opposition.